![]() ![]() Hitchcock established his place at the fore of British thriller directors with Britain's first talking film, Blackmail (and its sequence in which the repeated use of the word 'knife' jars into the brain of the heroine) with Murder! (one of the first who-dunnits) and with Number Seventeen (that included an early 'chase' noteworthy for its use of cross-cutting to heighten the thrill of the pursuit). ![]() The Lodger also has one of the first of his 'set-pieces' - the shot of the man upstairs pacing up and down, filmed through a glass floor. Hitchcock was a director of ideas - highly original ways of constructing a scene that soon brought him to the attention of critics and the public, especially after The Lodger in 1926, which could also be called the first of his tension thrillers. Specific sequences from his films are as legion (and as legendary) as his own guest appearances, which occurred in the majority of his pictures - his portly frame making him instantly recognizable even when it was seen only in silhouette.Īt the beginning of his film career, Hitchcock was a title designer and assistant editor with the British arm of Famous Players-Lasky, but he soon moved into direction with Producer Michael Balcon at Gainsborough. Hitchcock's innovative techniques were all worked out at the planning stage, enabling him to make a film exactly as he saw it in his mind's eye and achieve the maximum impact on his audience. 'Master of Suspense' Alfred Hitchcock became one of the world's best-known film-makers.
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